Thank you to St. Martin’s Press for the advance copy of the book AND the opportunity to participate in the blog tour!! I have been given an advanced copy of this book to read and give you my honest opinion on. I am so lucky to have had this opportunity!
This is one of the most unique books I have read in awhile. We alternate between 2 settings. One setting takes place in an elevator where 4 co-workers are drawn together to participate in a team building exercise. They are called to take part in an escape room and end up in an elevator with clues, trying to decipher them to escape. The other setting is essentially the adult life of Sara Hall; a woman who used to work with the other 4. It seems absolutely bizarre at first with each alternating chapter, but it works and throws you around in a loop!
This was filled with such great writing. I will admit, toward the end I saw where the book was going, but that didn’t stop me from enjoying every second of this book. I read it so fast because I wanted to know what was going on! Goldin did a SUPERB job at giving you just enough with each chapter that it made you want to keep going because you had to fill in the pieces to the puzzle! It almost became a game of, well, let me figure out this escape room puzzle and wait, I want to know more about Sara! Needless to say I had 2 sleepless nights with this book trying to get it all in!
I really can’t say more about this book without giving too much away. It’s a unique psychological thriller that will be a chart-topping hit. This is a must read. You guys know how obsessive I am over endings and THANK YOU, it’s what I hoped and wanted. Well, I wouldn’t have mind if, ah, you know I can’t say, but just know it made me smile. Please, get your hands on this book as soon as possible! Watch your back in the process…you just don’t know who you can trust! (St. Martin’s Press has decided to be super kind and has given me access to share with you a preview of the book…scroll down to go around and get a peek at the prologue, don’t forget to get a copy of this ASAP!)
MEGAN GOLDIN worked as a correspondent for Reuters and other media outlets where she covered war, peace, international terrorism and financial meltdowns in the Middle East and Asia. She is now based in Melbourne, Australia where she raises three sons and is a foster mum to Labrador puppies learning to be guide dogs. THE ESCAPE ROOM is her debut novel.
It was Miguel who called 911 at 4:07 a.m. on an icy Sunday morning. The young security guard spoke in an unsteady voice, fear disguised by cocky nonchalance.
Miguel had been an aspiring bodybuilder until he injured his back lifting boxes in a warehouse job and had to take night- shift work guarding a luxury office tower in the final stages of construction. He had a muscular physique, dark hair, and a cleft in his chin.
He was conducting a cursory inspection when a scream rang out. At first, he didn’t hear a thing. Hip- hop music blasted through the oversize headphones he wore as he swept his flashlight across the dark recesses of the lobby.
The beam flicked across the classical faces of reproduction Greek busts cast in metal and inset into niches in the walls. They evoked an eerie otherworldliness, which gave the place the aura of a mausoleum.
Miguel paused his music to search for a fresh play list of songs. It was then that he heard the tail end of a muffled scream.
The sound was so unexpected that he instinctively froze. It wasn’t the first time he’d heard strange noises at night, whether it was the screech of tomcats brawling or the whine of construction cranes buffeted by wind. Silence followed. Miguel chided himself for his childish reaction.
He pressed PLAY to listen to a new song and was immediately assaulted by the explosive beat of a tune doing the rounds at the dance clubs where he hung out with friends.
Still, something in the screech he’d heard a moment before rattled him enough for him to be extra diligent.
He bent down to check the lock of the revolving lobby door. It was bolted shut. He swept the flashlight across a pair of still escalators and then, above his head, across the glass- walled mezzanine floor that overlooked the lobby.
He checked behind the long reception desk of blond oak slats and noticed that a black chair was at an odd angle, as if someone had left in a hurry.
A stepladder was propped against a wall where the lobby café was being set up alongside a water fountain that was not yet functional. Plastic- wrapped café tables and chairs were piled up alongside it.
In the far corner, he shone his flashlight in the direction of an elaborate model of the building complex shown to prospective tenants by Realtors rushing to achieve occupancy targets in time for the building’s opening the following month.
The model detailed an ambitious master plan to turn an abandoned ware house district that had been a magnet for homeless people and addicts into a high- end financial and shopping precinct. The first tower was almost finished. A second was halfway through construction.
When Miguel turned around to face the elevator lobby, he was struck by something so incongruent that he pushed his headphones off his head and onto his shoulders.
The backlit green fluorescent light of an elevator switch flickered in the dark. It suggested that an elevator was in use. That was impossible, because he was the only person there.
In the sobriety of the silent echo that followed, he convinced himself once again that his vague sense of unease was the hallucination of a fatigued mind. There was nobody in the elevator for the simple reason that the only people on- site on weekends were the security
guards. Two per shift. Except to night, Miguel was the only one on duty.
When Stu had been a no- show for his shift, Miguel figured he’d manage alone. The construction site was fenced off with towering barbed- wire fences and a heavy- duty electric gate. Nobody came in or out until the shift ended.
In the four months he’d worked there, the only intruders he’d encountered were feral cats and rats scampering across construction equipment in the middle of the night. Nothing ever happened during the night shift.
That was what he liked about the job. He was able to study and sleep and still get paid. Sometimes he’d sleep for a couple of hours on the soft leather lobby sofa, which he found preferable to the lumpy stretcher in the portable office where the guards took turns resting between patrols. The CCTV cameras hadn’t been hooked up yet, so he could still get away with it.
From the main access road, the complex looked completed. It had a driveway entry lined with young maples in planter boxes. The lobby had been fitted out and furnished to impress prospective tenants who came to view office space.
The second tower, facing the East River, looked unmistakably like a construction site. It was wrapped with scaffolding. Shipping containers storing building materials were arranged like colorful Lego blocks in a muddy field alongside idle bulldozers and a crane.
Miguel removed keys from his belt to open the side entrance to let himself out, when he heard a loud crack. It whipped through the lobby with an intensity that made his ears ring.
Two more cracks followed. They were unmistakably the sound of gunshots. He hit the ground and called 911. He was terrified the shooter was making his way to the lobby but cocky enough to cover his fear with bravado when he spoke.
“Something bad’s going down here.” He gave the 911 dispatcher the address. “You should get cops over here.”
Miguel figured from the skepticism in the dispatcher’s cool voice that his call was being given priority right below the doughnut run.
His heart thumped like a drum as he waited for the cops to arrive. You chicken shit, he berated himself as he took cover behind a sofa. He exhaled into his shirt to muffle the sound of his rapid breathing. He was afraid he would give away his position to the shooter.
A wave of relief washed over him when the lobby finally lit up with a hazy blue strobe as a police car pulled in at the taxi stand. Miguel went outside to meet the cops.
“What’s going on?” An older cop with a thick gut hanging over his belted pants emerged from the front passenger seat.
“Beats me,” said Miguel. “I heard a scream. Inside the building. Then I heard what I’m pretty sure were gunshots.”
“How many shots?” A younger cop came around the car to meet him, snapping a wad of gum in his mouth.
“Two, maybe three shots. Then nothing.”
“Is anyone else around?” The older cop’s expression was hidden under a thick gray mustache.
“They clear out the site on Friday night. No construction workers. No nobody. Except me. I’m the night guard.”
“Then what makes you think there’s a shooter?”
“I heard a loud crack. Sure sounded like a gunshot. Then two more. Came from somewhere up in the tower.”
“Maybe construction equipment fell? That possible?”
A faint thread of red suffused Miguel’s face as he contemplated the possibility that he’d panicked over nothing. They moved into the lobby to check things out, but he was feeling less confident than when he’d called 911. “I’m pretty sure they—” He stopped speaking as they all heard the unmistakable sound of a descending elevator.
“I thought you said there was nobody here,” said the older cop.
“Could have fooled me,” said the second cop. They moved through to the elevator lobby. A light above the elevator doors was flashing to indicate an elevator’s imminent arrival. “Someone’s here.”
“The building opens for business in a few weeks,” said Miguel. “Nobody’s supposed to be here.”
The cops drew their guns from their holsters and stood in front of the elevator doors in a shooting stance— slightly crouched, legs apart. One of the cops gestured furiously for Miguel to move out of the way. Miguel stepped back. He hovered near an abstract metal sculpture set into the wall at the dead end of the elevator lobby.
A bell chimed. The elevator heaved as it arrived.
The doors parted with a slow hiss. Miguel swallowed hard as the gap widened. He strained to see what was going on. The cops were blocking his line of sight and he was at too sharp an angle to see much.
“Police,” shouted both cops in unison. “Put your weapon down.”
Miguel instinctively pressed himself against the wall. He flinched as the first round of bullets was fired. There were too many shots to count. His ears rang so badly, it took him a moment to realize the police had stopped firing. They’d lowered their weapons and were shouting something. He didn’t know what. He couldn’t hear a thing over the ringing in his ears.
Miguel saw the younger cop talk into his radio. The cop’s mouth opened and closed. Miguel couldn’t make out the words. Gradually, his hearing returned and he heard the tail end of a stream of NYPD jargon.
He couldn’t understand most of what was said. Something about “nonresponsive” and needing “a bus,” which he assumed meant an ambulance. Miguel watched a trickle of blood run along the marble floor until it formed a puddle. He edged closer. He glimpsed blood splatter on the wall of the elevator. He took one more step. Finally, he could see inside the elevator. He immediately regretted it. He’d never seen so much blood in all his life.